Fazil Say, piano Sertab Erener, voice Bilkent Symphony Orchestra, Ankara
The reputation and international standing of the pianist Fazil Say have developed rapidly. He has mastered the hurdle from child prodigy to an internationally successful star and the French newspaper "Le Figaro" has claimed: "He is not only a brilliant pianist, but he will undoubtedly become one of the great artists of the 21st century."
Unbelievable power and an absolute technical perfection are his distinguishing trademark. Say has a striking head found only seldom in the classical market and he has been blessed with an abundance of talent.
Turkey is approaching Europe and in the other direction Fazil Say can be considered an ambassador for classical music in Turkey. He brings Bach and Beethoven to Anatolia; he composes music in which classical influences, Turkish folk-lore and jazz elements blend together, and with his concerts and his own compositions he fills concert halls and arenas with thousands of listeners - a phenomenon which in this form is hardly imaginable in Europe.
We have followed Fazil Say's invitation to his home country and accompany him for a while - over the Bosporus Bridge to the sound of Bach's Fugue (Bach/Busoni: Fugue BWV 543) and to the captivating sight of the Esma Sultan Palace where he interprets Bach's "Chaconne in D minor".
Say gives an open-air concert for friends - the first movement of Beethoven's "Appassionata" (which is promptly interrupted by the loud chanting of the muezzin); then he becomes the private person again, playing his own personal version of Mozart's "Rondo alla turca" at his home together with a friend, Sertab Erener, the Queen of Turkish and international pop music, who enjoyed a classical singing education.
The path of our film, in which music and views of town and countryside flow correspondingly together, now takes us out of the pulsating metropolis of Istanbul to the sounds of Fazil Say's composition "Black Earth" and through the fantastic scenery of Anatolia to Aspendos. Finally, here in the Roman amphitheatre on a warm summer's evening, Say's oratorio "Nazim" - a homage to the Turkish poet Nazim Hikmet - is performed to an audience of thousands from all walks of life.
A very personal film on the very affable pianist and composer Fazil Say has been created, a man who very frankly and competently gives account on the artistic and private challenges of his life.
One cannot escape the ban of Fazil Say's skill and uncompromising enthusiasm for music and one recognizes indeed that the Orient and the Occident match well together.
In order for our website to function optimally, we use cookies for some of our applications. This includes i.a. the embedded social media, but also a tracking tool that provides us with information about the ergonomics of our website and user behavior. If you click on "Accept all cookies", you agree to the use of technically necessary cookies and those to optimize our website. See "Cookie Settings" for more information.
Control settings
Please select your preferences. You can change these at any time.
In order for our website to function optimally, we use cookies for some of our applications. These cannot be deactivated, otherwise you will not be able to use all applications.
In order to make our website as user-friendly as possible, we have i.a. social media embedded on our website. This allows you to share content with your loved ones on the appropriate network with just a few clicks. We also use anonymous tracking technology, which gives us information about e.g. the user behavior, but also the effectiveness and ergonomics of our website. For this purpose, we also use services that may be based outside the European Union (especially in the USA), where the level of data protection may be lower than in Germany.