Mr W. is a man who loves to laugh. Together with his friends Mr K. and Mr W., he is also a member of the Schlumpers, a self-organized atelier community of artists with different disabilities. Instead of interpreting art as an escape fantasy from normative society like most neurotypical artists, these artists see art as a vehicle to build a community. What seems like a utopian society where artists cooperate instead of compete, works subversively serene in practice. Their work as self-taught artists, videographers, field recordists and art teachers at an elementary school, their community, artistic obsessions and private mythologies are the subject of this collaborative documentary film portrait that was was co-written, co-directed and co-filmed with its three protagonists and their own video cameras.
Synopsis
WHY IS MR W. LAUGHING? is a portrait of three members of an atelier community of artists with different disabilities.
Questioning the usual asymmetry of inclusion (meaning that often there is just a monologue about and not a dialogue with the persons concerned), the film is a cinematic experiment that politicizes boundary-practices in its form and content: Rather than making a film about inclusion, the film itself was produced inclusively. On an open collaborative journey through the pictorial worlds of the three artists, a focus was set on their aesthetic obsessions and perspectives through their own videography. Their spontaneous and sometimes gratuitous imagery isn’t organized by a boosted ego at its center but displays subjectivity as social experience in space. As a result of the collaborative approach, the film is an eclectic mix of materials and techniques, interview situations interwoven with observational episodes, auto-fiction and performance, home videos of the protagonists and their own musical compositions.
The juxtaposition of life and art doesn’t apply for the three who are artists in order to be citizens. Art for them is not a breakaway dream from normality, like for most neurotypical artists, but the quintessence of bourgeois work that enables them to participate in society, to form a community in mutual solidarity. This is one of the many realizations that occurred during the work on this film, -that most ideas about disability and art brut are romanticizing or excluding misconceptions.
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